Children can do extraordinary, meaningful creative work.
But film, television and theatre are adult workplaces — shaped by adult schedules, expectations, hierarchies and power structures. Minors experience those environments differently.
Existing labour protections, guardians, unions and production policies are essential. But compliance alone cannot account for everything we know about child development, trauma, power, psychological safety and the particular vulnerabilities of young performers.
Good Ship is being developed to help close that gap.